Confessions by Catherine Airey

Confessions by Catherine Airey is a book about the lineage of women and their messy yet realistic lives. It begins with Cora, talking about the death of her mother and then later, her father. It is an intriguing opening to the book, sampling the expert and complex characterisation that continues throughout. It sets up a narrative in which personal stories told by each of Cora’s family members is interspersed with mysterious snippets of a game called ‘Scream School’. There is no part of this book that is not entwined with another, and while that may be briefly confusing for on and off readers, it overall adds a brilliant layer of complexity to the novel.

The most notable feature of this book would be, of course, the characters. Throughout, each have a consistent voice and a distinct personality which carries through. One of my favourite parts is the fact that, no matter how far removed they are from one another, they each are connected in some way. This is through obvious things like relation but also through small physical details such as Michael, Cora’s father, buying fries so she could dip them into her milkshake and then how Cora’s daughter, Lyca does the same for her crush Sanjeet. As the book progresses, there are notable dynamics which are very interesting. The first I picked up on was the mother-daughter dynamic in which the daughter occupies the role of the parent. This is seen in Cora mothering Marie due to her mother’s mental struggles and how she loved reading Alice in Wonderland together as that was the only time Marie would “behave like a normal mother”. This unorthodox relationship is also mirrored in Cora being emotionally managed by Lyca. At first, I found it odd that Lyca would only call her mum by her first name but as the story progressed it becomes clear as to why she managed her Mum’s immaturity the way she did.

Due to the intricacies of their demeanours and the explicit nature of their own personalities, each character comes across as fully developed and realistic which allows for believable connections between them. The battle between Roisin and Marie for Michael’s affection is palpable yet also very subtle. The dysfunctional nature of their sisterly dynamic is the underlying theme throughout the book and that was something I enjoyed thoroughly. Reading Roisin’s perspective on her childhood both through her youth and old age is a brilliant way to keep the readers engaged. Roisin’s story had the ability to stagnate due to her not encountering many significant changes in her life yet her sections of narration were wildly entertaining. The theme of familiarity and its slow development really added a solid backbone for this book. This allowed for more comedic elements to shine which is needed in what otherwise would be considered a ‘heavy’ novel. Mini insights to the characters like Marie not allowing Cora dolls but then letting her own a flashlight-doll hybrid adds so much to their development. I constantly found myself relating to the characters, like Lyca believing that if you looked away from a loading screen it would load faster, and thus found myself becoming more invested in their storylines.

Each character had a chance to narrate their own point of views and that is something I always love in a book. It highlights the unreliability of each character and gives the readers a deeper insight into their personalities. This was done especially brilliantly in Marie’s portions of the book. Her complex mental health struggles created the most wonderful dynamic between reader and narrator as she was incredibly dysfunctional to read about. Her portions being written in second person rather than first, like the others, separates her from the rest of the story and further highlights that dysfunction. Although, it was confusing to read at first. She was by far the most enjoyable character to follow along with, however, there were some instances of abuse which I believe the readers should be warned about before reading, such as the substance and sexual abuse.

Furthermore, the unreliability of each narrator and the sudden changes of time periods did confuse me a couple of times and thus made it hard for me to get totally invested. I found myself constantly trying to refer to previous sections of the book to find out what the connection was to my current chapter. Having two connecting instances/people at either end of the book did somewhat take away from the tension of the mystery and leads the reader feeling less satisfied with the reveal. That being said, seemingly untied loose ends were explained nicely in Lyca’s section at the end of the book and were therefore rounded off well. Additionally, interspersing snippets from the Scream School game did drag out the tension but also created a mystery of its own. It allowed for a break between emotionally taxing and complex plotlines which was very needed. It’s mystery was also rounded off well in Lyca’s portion of the book, I just wish that there were more hints about where it was going to keep up my interest. Yet where the plot structure faltered, the language didn’t. It kept the book feeling fresh with each sentence and was entirely dynamic. Descriptions were done in magnificent detail while not being ‘overly flowery’ or filled with adjectives. Instead, it described emotions and scenes perfectly and in a way that was easy to read. I especially enjoyed the portion where Marie went to her university friend’s family home for Thanksgiving and their whole dynamic ended up symbolising American gluttony. Writing like this adds another layer of the realism that really is the core of this book.

In conclusion, if you want to read a book with no idea of where its going, read this one. If you want to become completely invested in a whole jumble of characters, read this one. While it does have moments where it loses its tension or chronological narrative, in the end you’ll have found that you have read a perfectly satisfactory book. At that point, I urge you to read it again because I am sure that you’ll pick up on new clues you didn’t find the first time.

Rating: 4/5

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